![]() ![]() This offer cannot be applied to previously placed orders. This offer also excludes Oppo, demos, closeouts/sale items and freight shipped items. ![]() **Orders must be at least $49, before tax, to qualify. *Ground shipping to the 48 contiguous states only (FPO/APO excluded). If you continue to see a shipping charge on your order, please check the exclusions listed below. When your order subtotal reaches $49 in the shopping cart the shipping charge for associated qualifying items will automatically be adjusted on your order. Place a qualifying order over $49* and receive FREE DOMESTIC GROUND SHIPPING. Her 1992 album for Mute, Our Likeness, features Alexander Hacke (Hackedepicciotto, Einstrürzende Neubauten), Jaki Liebezeit (Can) and Chrislo Haas (Crime & the City Solution, DAF, Liaisons Dangereuses). Since then she has worked solo and collaborated with an incredible list of musical luminaries including Ryuichi Sakamoto, Jim O'Rourke, Ana da Silva (The Raincoats), Seiichi Yamamoto (Boredoms), Holger Czukay (Can) and producer Conny Plank (Neu!, Cluster, Harmonia). Personally speaking, I've stopped being able to see a future that extends from the present."ĭescribed by Pitchfork as "a Japanese underground legend," she was a founding member of Osaka avant-punk band Aunt Sally, who broke up in 1980. Phew explains that there's a loose concept running through the album, relating to the perception of time: "During the '80s, and up until the '90s, things progressed along a line from past to present to future, but I think that's changed, especially since the start of the 21st century. New Decade is a stark and haunted album, populated by voices that intone empty pleasantries in English and Japanese or manifest as wordless shrieks and groans, against a backdrop of fractured, dubbed-out electronics. Working within the medium of voice and analog electronics, New Decade's six tracks define Phew as a master of her craft - fusing her ghostly vocals with intense droning textures and clamorous guitar feedback. Renowned avant-garde artist Phew returns to Mute for the album, New Decade. Willis did work on the Russian phone commercial, but did not enter into a partnership.Color Of Vinyl Subject To Change Without Notice / Call To Confirm Colored Copies Are Still Available However, a Willis representative later told the BBC that he has no such deal in place with Deepcake. “It’s a brand-new and interesting experience for me, and I grateful to our team.” □ Tech can be tricky. “With the advent of the modern technology, I could communicate, work, and participate in filming, even being on another continent,” Willis is quoted as saying. And at first glance, it appeared to be true: in a testimonial on Deepcake’s website, Willis promotes his past work with the company. On Thursday, The Daily Mail claimed that Willis had actually sold full rights to his likeness to Deepcake for future projects, with his estate getting the “final sign-off” on the content. But despite reports that you’ll be seeing more of deepfake Willis-rumors swirled last week that the actor sold the rights to his likeness to a deepfake company called Deepcake-the phone commercial was a one-off gig. Initial reports claimed the actor sold his digital rights for use in future productions using deepfake tech, but Willis representatives deny those allegations.īruce Willis may have stepped away from the working grind of Hollywood for health reasons, but that didn’t stop the 67-year-old actor from appearing to appear in a Russian phone commercial in 2021 thanks to the magic of deepfake technology.Deepcake, a company that creates digital twins, used artificial intelligence to bring Bruce Willis back to the screen.A deepfake Bruce Willis first appeared in a Russian phone commercial in 2021. ![]()
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